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Evolution of Filmmaking: How The 1940s And 1950s Had A Hand Modern Cinema

The 1940s and 50s are the beginning of the golden age of the film industry. There was massive creative innovation, technological advancement and, above all, major cultural influence that continues to shape cinema today. This period made changes to the Hollywood studio system, the rise of directorship, and the emergence of landmark films that have remained classics to this day. As one evaluates the effect of this era on the modern film industry, it becomes clear that its influence will never falter, especially in the new age of cinema.

Vince BarnettPaul Muni, & Tony Camonte in Scarface (1932)

The 1940s were a time of a massive peak in the studio system. Major studios like Warner Bros, 20th Century Fox and Paramount were in control of almost every aspect of a film’s production, from the script to the screen. This allowed studios to maintain creative and financial power over their films and actors. This system made it easy for mass production of movies with all the big studios specializing mostly in a niche genre – for example, Warner Bros. was known mostly for gangster crime and drama films like Scarface (1932) dir. Howard Hawks and Richard Rosson.

Ingrid Bergman & Humphrey Bogart in Casablanca (1942)

Furthermore, because of World War II, there were significant impacts on the industry. Many of the films produced at this time often served as a propaganda tool – trying to boost morale and promoting patriotism. A large and classic film, Casablanca (1943) dir. Michael Curtiz was a story that captured a complex love but also a sort of resistance during a time of war. These films were important to represent the problems occurring in the world at that time. These films highlighted the power of cinema as a tool for storytelling and to push new societal and political norms.

The Robe (1953)

Another important advancement that occurred in the 40s and 50s was the uproar of technicolour films. In the 1950s, coloured films had become the industry standard, creating a way more visually pleasing film. Other developments like widescreen formats, like Cinemascope and VistaVision, were on the rise. These cinematic formats were designed to counteract the rise of television at that time. Theatres were able to promote the new widescreen shows, keeping cinema up and running.

Pat Goldin in The Man from Planet X (1951)

Television was starting to grow in popularity, which meant that studios had to think of new strategies to attract more of an audience. This came along with the decline of the studio system. You may be thinking, ‘Didn’t the studio system grow in the 40s?’ and the answer is yes! Even with the rise of studios in the 40s, they started to decline in the 50s, breaking away for the beginning of independent films. This increased the competition within the film industry because these indie filmmakers were able to use their favourite genres instead of sticking to the ones their studios specialized in. One of the most notable indie films from his time was The Man From Planet X (1951) dir. Edgar G. Ulmer.

The 1940s and 50s played a huge role in the film industry as a cultural and artistic shift in movies. Films from this era are still studied and praised today for their deep narratives and iconic performances. This era amazingly influenced storytelling, and the advancements continue to echo through the industry through every film. The end of the studio system provided creative liberty for filmmakers, making it a pivotal era for all filmmakers – helping them feel like they could take back some power for their films. We leave you with two recommendations: Casablanca (1943) dir. Michael Curtiz, and The Man From Planet X (1951) dir. Edgar G. Ulmer, we urge you to watch and let us know what you think!

Till next time,

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